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2
Nov 11

Astrophotography with a Canon 1D4

Astrophotography taken with the 1D4 and a 17mm TS-E Lens

I’m on location in France and in the evenings I’ve been graced with the clearest November skies and a low level of noise pollution, perfect for Astrophotography.

This has given me the opportunity to take pictures of the beautiful night sky. In the space of a few hours I’ve learnt how to locate Polaris, Betelgeuse, Orion, Orions Belt and where they are in relation to the milky way galaxy which is something I’m saving up for a dedicated trip.

Because it is so hard to nail down techniques to do astrophotography the following is mainly for the photographers who visit the site so I’m going to go into camera speak now!

The above image is a stitched one taken on a tripod with a Canon 1D4 and a 17mm TS-E lens. Now, this may sound like an odd combo to use with the TS-E being F4 but this is the very reason I used the Canon 1D4 and not the Canon 1Ds3, the high ISO made up for the smaller aperture. The 17mm TS-E also can be used for panoramic because of the shift feature.

I could of used the 24L but that would of been too narrow on the 1D4′s 1.3x crop sensor and I didn’t have the 16-35 MkII to hand. (Although I question if the image would of looked this nice if I had used it.

ISO 6400 was used, 20 second exposure and I think I was pushing it. There is a little bit of trailing on slower shutters so avoid 20+ seconds.

This wasn’t bad for a first attempt and I can’t wait for the new 1Dx to arrive as it’s going to improve things by a huge amount.

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18
May 11

Canon 24mm TS-E II

Wellington College Sandhurst - Another stunning aspect of the Canon TS-E 24mm II lens is it's ability to render colours beautifully.

Canon 24mm TS-E II

So, I decided to give Tilt Shift a go with the Canon 24mm TS-E II. I ordered this lens from Hdew Cameras. (Best place in the UK for lenses that I have used and their prices are great).

The lens is a bit of a beast. It doesn’t have autofocus and has the normal tilt shift function (tilts to 8 degrees). What many don’t expect is it also twists in two places so you can shift in four different directions as well as shift four ways too.

This makes the Canon 24mm TS-E II a exceptionally versatile lens…and complicated to use. Manual focusing isn’t a big issue as I switch on the ‘Beep’ notification on focus lock. Deciding on the right amount of tilt and shift is though. It’s easy to overdo things but it also leads to surprisingly good ‘accidental masterpieces’.

Canon 24mm TS-E II – Price and image quality

At £1449 from HDEW it’s not a cheap lens. However it’s aimed at professionals who charge professional prices for the work they carry out. It’s wider brother the 17mm is £1699 (also have that, review pending) and is maybe a little too wide for general use other that specific landscaping and architecture. Like I’ve implied the Canon TS-e 24mm II lens requires a lot of mastery and I doubt I have barely utilized the full potential of this lens.

The image quality of the Canon TS-E 24mm II lens is incredible. Wide open it’s amazingly sharp. The last time I noticed a lens this sharp was with the new 100mm Macro from Canon. The colours it pulled in are stunning too. Everything glows back at you because of the mix of sharpness and colour rendition.

Canon 24mm TS-E II – Conclusions

If you are looking for undistorted 24mm goodness this lens is for you. It’s sharp corner to corner and is more useful than you’ll realize. I think it’s a better buy than the 17mm as it’s almost too wide for ‘general’ use. I have to admit I already had the 24mm side of things covered with the 24mm 1.4, 24-70 and 24-105 lenses but I’m very glad I bought the Canon 24mm TS-E II now I have used it.

Residuals mean this lens will always be in demand and Canon only every updates each lens every ten years or so and as it’s just released the Canon 24mm TS-E II is a good purchase.

Canon 24mm TS-E II - Blue skies and long green grass taken with the lens

This doesn't look much on a small screen but this image from the 1DS3 combined with the Canon 24mm TS-E II lens as a full sized print is astounding.

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24
Jan 11

Dear Chris…. | Wedding Photography Jobs

I get a lot of job requests....

Wedding Photography Employment Opportunities

This blog post is aimed solely at those looking to get into the photography business and how to approach other photographers to obtain it.

I’ve been compelled to write this for a while now. Over the last year I’ve received some 27 requests for work and rather than now reply to every single one individually as I have done I’m going to cover it in a blog post instead.

For the most part, I work alone. I already have an assistant who has been with me for years and I also have other photographers who I already know quite well (and trust) who I can call on. So there isn’t anything here for you, not now, and probably not in the future. I’m sorry.

I receive polite hand written letters, emails and I even took one phone call on a Sunday from someone. A Sunday, from someone who’d just bought a 450D and wanted to become a ’Sussex Wedding Photographer’. I like to think I’m a model of politeness when I reply to EVERY letter and email I receive. I always have a positive attitude to those eager to get into the trade and I love to assist the next generation of photographers in coming into the field.

However, with every reply I’ve sent… and I mean EVERY reply I sent to those who emailed me to asking for a position paid or unpaid working alongside me I’ve had no response whatsoever. Nothing, zip, nadda, a big fat zero.

With the letters I received I sat there and looked at every single one on an individual basis, replied to it positively (took around 20 minutes) and offered areas they could try to which I received not so much as a thank you.

I’m a professional photographer, whose work they liked enough to email me about a placement yet there wasn’t enough respect there to even acknowledge that I’d given up my time to reply with the best assistance I could with a thank you?

Even if I can’t offer you work NOW doesn’t mean to say I won’t remember you in the future. Even if I couldn’t offer them work I may of found a few weeks later another photographer crying out for someone.

So now I recruit amongst those who I’m already aware of and will be referring all future emails to this blog.

Some of the letters complained about how photographers never replied to them but considering I sent 27 replies without so much as a ‘thank you’ I can see why!

In short, be positive and polite…… a dead end is never truly a dead end in this industry, things just don’t happen overnight.

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